On Saturday I attended the Battlestar Galactica Postmortem panel at the World Science Fiction convention in Montreal. The “worldcon” is the top convention for serious fans of SF, with typically 4,000 to 6,000 attendees from around the world. There are larger (much larger) “media” conventions like ComicCon an DragonCon, but the Worlcon is considered “it” for written SF. It gives out the Hugo award. While the fans at a worldcon do put an emphasis on written SF, they also are voracious consumers of media SF, and so there are many panels on it, and two Hugo awards for it.
Two things surprised me a bit about the Worldcon panel. First of all, it was much more lightly attended than I would have expected considering the large fandom BSG built, and how its high quality had particularly appealed to these sorts of fans. Secondly, it was more negative and bitter about the ending that I would have expecting — and I was expecting quite a lot.
In fact, a few times audience members and panelists felt it necessary to encourage the crowd to stop just ranting about the ending and to talk about the good things. In spite of being so negative on the ending myself I found myself being one of those also trying to talk about the good stuff.
What was surprising was that while I still stand behind my own analysis, I know that in many online communities opinion on the ending is more positive. There are many who hate it but many who love it, and at least initially, more who loved it in some communities.
The answer may be is that it is the serious SF fan, the fan who looks to books as the source of the greatest SF, the BSG ending was the largest betrayal. Here we were hoping for a show that would bring some of the quality we seek in written SF to the screen, and here it fell down. Fans with a primary focus on movie and TV SF were much more tolerant of the ending, since as I noted, TV SF endings are almost never good anyway, and the show itself was a major cut above typical TV SF.
The small audience surprised me. I have seen other shows such as Buffy (which is not even SF), Babylon 5 and various forms of Star Trek still fill a room for discussion of the show. It is my contention that had BSG ended better, it would have joined this pantheon of great shows that maintains a strong fandom for decades.
The episode “Revelations” where the ruined Earth is discovered was nominated for the Hugo for best short dramatic program. It came in 4th — the winner was the highly unusual “Dr. Horrible’s sing-along-blog” which was a web production from fan favourite Joss Whedon of Buffy and Firefly. BSG won a Hugo for the first episode “33” and has been nominated each year since then but has failed to win each time, with a Doctor Who episode the winner in each case.
At the panel, the greatest source of frustration was the out-of-nowhere decision to abandon all technology, with Starbuck’s odd fate a #2. This matches the most common complaints I have seen online.
On another note, while normally Worldcon Hugo voters tend to go for grand SF books, this time the best Novel award went to Neil Gaiman’s “The Graveyard Book.” Gaiman himself, in his acceptance speech, did the odd thing of declaring that he thought Anathem (which was also my choice) should have won. Anathem came 2nd or 3rd, depending on how you like to read STV ballot counting. Gaiman however, was guest of honour at the convention, and it attracted a huge number of Gaiman fans because of this, which may have altered the voting. (Voting is done by convention members. Typically about 1,000 people will vote on best novel.)