Archives

Date
  • 01
  • 02
  • 03
  • 04
  • 05
  • 06
  • 07
  • 08
  • 09
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30

What do I want in a 5d Mark 3 (next generation digital SLR)

I shoot with the Canon 5d Mark II. While officially not a pro camera, the reality is that a large fraction of professional photographers use this camera rather than the Eos-1D cameras which are faster but much bulkier and in some ways even inferior to the 5D. But it’s been out a long time now, and everybody is wondering when its successor will come and what features it will have.

Each increment in the DSLR world has been quite dramatic over the last decade. There’s always been a big increase in resolution with the new generation, but now at 22 megapixels there’s less call for that. While there are lenses that deliver more than 22 megapixels sharply, they are usually quite expensive, and while nobody would turn down 50mp for free, there just wouldn’t be nearly as much benefit from it than the last doubling. Here’s a look at features that might come, or at least be wished for.

Better Pixels

More pixels may not be important, but everybody wants better pixels.

  • Low noise / higher ISO: The 5D2 astounded us with ISO 3200 shots that aren’t very noisy. Unlike megapixels, there is almost no limit to how high we would like ISO to go at low noise levels. Let’s hope we see 12,500 or more at low noise, plus even 50,000 noisy. Due to physics, smaller pixels have higher noise, so this is another reason not to increase the megapixel count.
  • 3 colour: The value of full 3-colour samples at every pixel has been overstated in the past. The reason is that Bayer interpolation is actually quite good, and almost every photographer would rather have 18 million bayer pixels over 6 million full RGB pixels. It’s not even a contest. As we start maxing out our megapixels to match our lenses, this is one way to get more out of a picture. But if it means smaller pixels, it causes noise. The Foveon approach which stacked the 3 pixels would be OK here — finally. But I don’t expect this to be very likely.
  • Higher dynamic range: How about 16 bits per pixel, or even 24? HDR photography is cool but difficult. But nobody doesn’t want more range, if only for the ability to change exposure decisions after the fact and bring out those shadows or highlights. Automatic HDR in the camera would be nice but it’s no substitute for try high-range pixels.

Video & Audio

Due to the high quality video in the 5D2, many professional videographers now use it. Last week Canon announced new high-end video cameras aimed at that market, so they may not focus on improvements in this area. If they do, people might like to see things like 60 frame video, ability to focus while shooting, higher ISO, and 4K video.  read more »