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Photography

Some early panoramas of the burn itself

While it will be a while before I get the time to build all my panoramas of this year's Burning Man, I did do some quick versions of some of those I shot of the burn itself. This year, I arranged to be on a cherry picker above the burn. I wish I had spent more time actually looking at the spectacle, but I wanted to capture panoramas of Burning Man's climactic moment. The entire city gathers, along with all the art cars for one shared experience. A large chunk of the experience is the mood and the sound which I can't capture in a photo, but I can try to capture the scope.

Get a giant display screen

Yesterday I received a Dell 3007WFP panel display. The price hurt ($1600 on eBay, $2200 from Dell but sometimes there are coupons) and you need a new video card (and to top it off, 90% of the capable video cards are PCI-e and may mean a new motherboard) but there is quite a jump by moving to this 2560 x 1600 (4.1 megapixel) display if you are a digital photographer. This is a very similar panel to Apple's Cinema, but a fair bit cheaper.

Burning Man 2005 Panoramas

Hot on the heels of the regular photos the gallery of 2005 Burning Man Panoramas is now up. This year, I got to borrow a cherry picker at sunset on Friday for some interesting perspectives. The long ones are around 3400 by 52000 at full res (180 megapixels) and even the ones on the web are larger than before. Use F11 to put your browser into full screen mode.

Burning Man 2005 Photos plus Aerial shots

I've gotten way behind on putting up my photographs, and I realized I had never put my Burning Man 2005 shots up. We're already planning for 2006.

So I got them up this weekend. Of particular interest to burners this year will be the aerial survey I did of the city, over 200 close-up photos of just about every camp in the city from the sky.

And yes, I shot plenty of panoramas, and I have built most of them, but still don't have the panorama page up.

Power through flash hotshoe

I'll be moving soon to the Canon 5D camera from my 20D. It's better in just about every way, but like many "pro" cameras it does not have a built in flash.

It's not that there isn't a reason for this. Built in flashes usually suck, and nobody would use them for any sort of serious photography, except for fill. So if you're going out on a shoot, you would of course carry along some quality flashes and the built-in would be a waste of space.

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Press fedora with built-in flash

A really geeky idea: A fedora (common hat of the classic press photographer's uniform) or other hat with a built in remote controlled flash unit in it.

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Glacier National Park / Montana Panoramas

In the summer we did a road trip in the northwest, up to Calgary, through Banff in the summer and then to Oregon Country Fair. The photojournal is not yet ready, but I have prepared some of the panos. First, here is the Montana section, which means the Going to the Sun road through Glacier National Park. Truly one of the world's great roads, I'm afraid the panos don't do it justice.

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Death Valley Panoramas with wildflowers

I have been quite behind in processing my photo galleries and panoramics.

I have just now put up the gallery of panoramics from the Death Valley Wildflowers trip from March of 2005. Interesting scenery, and when you get close enough lots of fields of flowers. Of course, on most of them the flowers are so tiny that they are resolved well only when the panos are seen printed at full resolution, not when shrunk for a computer screen.

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Australia photo-log now available

Earlier I posted about my panoramas of Australia. Now I have put up the large gallery of regular spect photos from the trip. We began with a short visit to Melbourne, then drove the Great Ocean Road , ending in Adelaide. From there we flew to Darwin in the top end to visit Kakadu National Park and Litchfield National Park.

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Initial gallery of Panoramas of Australia up on the web

I took a lot of photos in Australia, including of course, many panoramas. I've assembled some of the best panoramas.

Harbour

You can see them in this gallery: Panoramas of Australia

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GPS that stuffs coordinates into digital photos

When you take pictures on the road, you would love to have the latitude and longitude coordinates of each picture stored with it. Indeed, if combined with a digital compass clever software could even tell you what landmark was in the photograph. (ie. if standing on rim of Grand Canyon looking north, it's probably a picture of the canyon.)

Google maps pointers for all the World Heritage Sites

Everybody is having a great time these days with the new and increasing satellite imagery found at Google Maps, finding their own houses and world landmarks.

I found a database built by a Keyhole user describing all the coordinates of the 788 Unesco World Heritage Sites. With a bit of perl magic I turned the Keyhole format into a series of web pages with links to Google satellite imagery.

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Doubleheaded Rear Lens Cap

I shoot with an SLR, and all lenses need a rear lens cap when not on the camera. Every SLR shooter knows the three-handed ritual. (Four handed if the Camera's not on a strap.) You take one lens off the camera. You pick another lens and remove the rear cap from it. Holding the old lens, new lens and rear cap and camera, you put the new lens on the camera, then put the rear cap on the old lens. (Or you put the cap on the old lens first, put it down and put the new lens on the camera.)

Death Valley Wildflowers 2005

Death Valley normally gets 1.5" of rain a year, but this year it got over six, so we headed down the greatest spring wildflower show in 50 years and were not disappointed.

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Image management for my common workflow

I have looked at a lot of image management programs, though not all of them, and been surprised that none match what I think should be a very common workflow. Sure, they all let you browse your photos and thumbnails of them, move them around, and rename them. And some let you do the functions I describe but usually doing them to a lot of photos is cumbersome because they only have a slow mouse interface or a poor keyboard interface.

Here's what I want to do, and right now use a combination of programs to make happen.

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Use for old digital cameras

Many people have old, low resolution digital cameras lying around from the previous generation. Here's a good use to put them to, particularly if you have a housekeeper.

When somebody needs to put something away, and they don't know where you like it to go and have to figure out where, have them pull out the old digital camera and take a picture of the item and a picture of where it was put.

Then every so often you can pull out the images into an online folder, ideally with a thumbnail browser.

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Ultimate photographer's monopod

When you go out hiking and photographing, carrying a tripod can be too much, even my lovely carbon-fiber one. Besides, you want a good hiking stick on a hike anyway, you exercise more of your body. And most hiking sticks have a small tripod screw in them to use as a camera mount.

But here's a plan to make an all-out monopod/hiking stick kit to do a lot more than you can do with just the basic stick.

Notes on the Canon EOS D20 DSLR

Soon as it was out, I bought the EOS D20. I sold my D60, which I had replaced my D30 with, so I am obviously generally pleased with Canon's line. The new camera has a lot over the D60 -- 2 more megapixels (or 3500 high for panoramas), much better low-light shooting ability with low-noise high-ISO, and fast shooting (5 frames/second for 25 frames.) It also has better focus, better controls, and an orientation sensor, something I've been wanting for a long time.

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Burning Man photos: Galleries up, new Decompression gallery added

Well, a couple of weeks ago when I announced the phone project at Burning Man, I implicitly was linking to my new galleries for Burning Man 2004. However, let me officially announce those galleries now, plus the addition of a new gallery today.

Digital photo lenses that distort

I like fine camera lenses, but the best quality are very expensive. There are many things that are hard to do in a good lens -- you want a sharp image, of course, over the full flat plane. Over the whole image plane you want low flare, high contrast and low chromatic abberation (ie. red and blue focus in the same spot.) And you want low distortions.

Most camera lenses try to be "rectilinear." That means they try to make a straight line straight in the image. This isn't actually natural, due to perspective straight lines are not straight.

So I wonder if we might soon see a new lens where no effort is made to fix distortions or make the image rectilinear, and all effort goes into the other factors. You are thus expected, with every image, to do digital post-processing to get a non-distorted rectilinear image. That will mean some small loss of image quality at the edges of the image, but probably a less distorted image than ordinary lens physics can deliver -- and a lot less cost -- in exchange.

Of course, this would primarily be for digital cameras, but a film user could also use the lens if they planned to scan their film for digital processing, as most do these days.

Down the road, each lens might contain within it the specifics of its own particular distortions, and the camera might be able to fetch this and either process directly or store it with the image for post-processing. Indeed, the lens might be a cheaply made lens with distortions due to the poor quality elements, or it might be a fine lens with deliberate distortions. (I have wondered if some P&S digicams might be doing this already.)

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