The World Science Fiction convention/awards were attacked again. How can its unusual governance structure deal with this?

The activities of the World Science Fiction Society, the unincorporated club which chooses the location of the annual World SF Convention (WorldCon) and the annual Hugo awards, have once again encountered a scandal, the 3rd in the last 8 years, and people aren't quite sure how to repair the damage and/or fix it long term. Below, I'll discuss many of the possible and proposed approaches.

Fears confirmed on failure of fix to Hugo awards

Last year, I wrote a few posts on the attack on Science Fiction's Hugo awards, concluding in the end that only human defence can counter human attack. A large fraction of the SF community felt that one could design an algorithm to reduce the effect of collusion, which in 2015 dominated the nomination system.


To fix human attack on the Hugo awards, you need humans

I wrote earlier on the drama that ensued when a group of SF writers led a campaign to warp the nomination process by getting a small but sufficiently large group of supporters to collude on nominating a slate of candidates. The way the process works, with the nomination being a sampling process where a thousand nominators choose from thousands of works, it takes only a 100-200 people working together to completely take over the process, and in some cases, they did -- to much uproar.

In the aftermath, there was much debate about what to do about it. Changes to the rules are in the works, but due to a deliberate ratification process, they mostly can't take effect until the 2017 award.

One popular proposal, called E Pluribus Hugo appeals, at least initially, to the nerdy mathematician in many of us. Game theory tries to design voting systems that resist attack. This is such a proposal, which works to diminish the effect that slate collusion can have, so that a slate of 5 might get fewer than 5 (perhaps just 1 or 2) onto the ballot. It is complex but aimed to make it possible for people to largely nominate the same way as before. My fear is that it modestly increases the reward for "strategic" voting. With strategic voting, you are not colluding, but you deliberately leave choices you like off your ballot to improve the chances of other choices you like more.


Hugo awards suborned, what can or should be done?

Since 1992 I have had a long association with the Hugo Awards for SF & Fantasy given by the World Science Fiction Society/Convention. In 1993 I published the Hugo and Nebula Anthology which was for some time the largest anthology of current fiction every published, and one of the earliest major e-book projects. While I did it as a commercial venture, in the years to come it became the norm for the award organizers to publish an electronic anthology of willing nominees for free to the voters.

This year, things are highly controversial, because a group of fans/editors/writers calling themselves the "Sad Puppies," had great success with a campaign to dominate the nominations for the awards. They published a slate of recommended nominations and a sufficient number of people sent in nominating ballots with that slate so that it dominated most of the award categories. Some categories are entirely the slate, only one was not affected. It's important to understand the nominating and voting on the Hugos is done by members of the World SF Society, which is to say people who attend the World SF Convention (Worldcon) or who purchase special "supporting" memberships which don't let you go but give you voting rights. This is a self-selected group, but in spite of that, it has mostly manged to run a reasonably independent vote to select the greatest works of the year. The group is not large, and in many categories, it can take only a score or two of nominations to make the ballot, and victory margins are often small. As such, it's always been possible, and not even particularly hard, to subvert the process with any concerted effort. It's even possible to do it with money, because you can just buy memberships which can nominate or vote, so long as a real unique person is behind each ballot.

The nominating group is self-selected, but it's mostly a group that joins because they care about SF and its fandom, and as such, this keeps the award voting more independent than you would expect for a self-selected group. But this has changed.

The reasoning behind the Sad Puppy effort is complex and there is much contentious debate you can find on the web, and I'm about to get into some inside baseball, so if you don't care about the Hugos, or the social dynamics of awards and conventions, you may want to skip this post.


Oh Hugo Awards, where have you gone?

I follow the Hugo awards closely, and 20 years ago published the 1993 Hugo and Nebula Anthology which was probably the largest anthology of currently released fiction ever published at the time.

The Hugo awards are voted by around 1,000 fans who attend the World SF Convention, so they have their biases, but over time almost all the greats have been recognized. In addition, until the year 2000, in the best novel Hugo, considered the most important, the winner was always science fiction, not fantasy even though both and more were eligible. That shifted, and from 2001 to 2012, there have been 6 Fantasy winners, one Alternate History, and 5+1 SF. (2010 featured a tie between bad-science SF in the Windup Girl and genre-bending political science fiction in The City & The City.)

That's not the only change to concern me. A few times my own pick for the best has not even been nominated. While that obviously shows a shift between my taste and the rest of the fans, I think I can point to reasons why it's not just that.

The 2013 nominees I find not particularly inspiring. And to me, that's not a good sign. I believe that the Hugo award winning novel should say to history, "This is an example of the best that our era could produce." If it's not such an example, I think "No Award" should win. (No Award is a candidate on each ballot, but it never comes remotely close to winning, and hasn't ever for novels. In the 70s, it deservedly won a few times for movies. SF movies in the mid and early 70s were largely dreck.)

What is great SF? I've written on it before, but here's an improvement of my definition. Great SF should change how you see the future/science/technology. Indeed, perhaps all great literature should change how you view the thing that is the subject matter of the literature, be it love, suffering, politics or anything else. That's one reason why I have the preference for SF over Fantasy in this award. Fantasy has a much harder time attaining that goal.

I should note that I consider these books below as worth reading. My criticism is around whether they meet the standard for greatness that a Hugo candidate should have.

2312 by Kim Stanley Robinson

This is the best of the bunch, and it does an interesting exploration into the relationship of human and AI, and as in all of Stan's fiction, the environment. His rolling city on Mercury is a wonder. The setup is great but the pace is as glacial as the slowly rolling city and the result is good, but not at the level of greatness I require here.


How about a Hugo Award for Science Fiction?

As some will know, I got heavily into the Hugo awards 13 years ago during my efforts at becoming an eBook publisher in the SF field. The Hugo award is voted on by the fans who attend the annual World Science Fiction Convention, or Worldcon, a moderately small voting pool (under 1000 of the typical 4000 to 7000 attendees will vote.)

The most important award and 2nd most voted on is the one for best Novel. The least important, but most voted on award is the one for best movie.

But still, for a long time, though both SF and Fantasy qualified for the award, the best Novel went exclusively to Science Fiction (with one dab into alternate history by Phillip K. Dick) and usually to hard, ideas-based SF. This went on until 2000 when the superb hard-SF novel "A Deepness in the Sky" won. The drama award was also heavily into SF, though it had some deviations, such as the coverage of Apollo XI and a few films in the 80s.

But in 2001, for the first time, a Fantasy novel won the best novel Hugo. Not just any fantasy novel, but a children's novel, Harry Potter 4. Of course, the Harry Potter series is the most remarkable success not just in fantasy, but in publishing, so this is not too shocking. What's surprising is that in 2002, 2004 and 2005 a fantasy novel would win best novel. At the same time, fantasies won all the best movie awards and all of the new best TV episode award until 2005. (Read on...)