Hey photo editing programs -- I'm looking at you, Photoshop -- a lot of you allow people to place text into graphic images, usually as a text layer. Most graphics with text on the web are made this way. Then we export the image as a jpeg or png/gif, flatting the layers so our artful text is displayed. This is how all the buttons with words are made, as well as the title banner graphics on most web sites.
So many people today are using tags to organize photos and to upload them to sites like flickr for people to search. Most types of tagging are easiest to do on a computer, but certain types of tagging would make sense to add to photos right in the camera, as the photos are taken.
My Canon cameras have a variety of ways you can change their settings to certain specialty ones. You can set a manual white balance. You can set an exposure compensation for regular exposures or flash (to make it dimmer or brighter than the camera calculates it should be.) You can change various shooting parameters (saturation etc.) and how the images will be stored (raw or not, large/medium/small etc.) You can of course switch (this time with a physical dial) from manual exposure to various automatic and semi-automatic exposure modes.
While it will be a while before I get the time to build all my panoramas of this year's Burning Man, I did do some quick versions of some of those I shot of the burn itself. This year, I arranged to be on a cherry picker above the burn. I wish I had spent more time actually looking at the spectacle, but I wanted to capture panoramas of Burning Man's climactic moment. The entire city gathers, along with all the art cars for one shared experience. A large chunk of the experience is the mood and the sound which I can't capture in a photo, but I can try to capture the scope.
Yesterday I received a Dell 3007WFP panel display. The price hurt ($1600 on eBay, $2200 from Dell but sometimes there are coupons) and you need a new video card (and to top it off, 90% of the capable video cards are PCI-e and may mean a new motherboard) but there is quite a jump by moving to this 2560 x 1600 (4.1 megapixel) display if you are a digital photographer. This is a very similar panel to Apple's Cinema, but a fair bit cheaper.
Hot on the heels of the regular photos the gallery of 2005 Burning Man Panoramas is now up. This year, I got to borrow a cherry picker at sunset on Friday for some interesting perspectives. The long ones are around 3400 by 52000 at full res (180 megapixels) and even the ones on the web are larger than before. Use F11 to put your browser into full screen mode.
I've gotten way behind on putting up my photographs, and I realized I had never put my Burning Man 2005 shots up. We're already planning for 2006.
So I got them up this weekend. Of particular interest to burners this year will be the aerial survey I did of the city, over 200 close-up photos of just about every camp in the city from the sky.
And yes, I shot plenty of panoramas, and I have built most of them, but still don't have the panorama page up.
I'll be moving soon to the Canon 5D camera from my 20D. It's better in just about every way, but like many "pro" cameras it does not have a built in flash.
It's not that there isn't a reason for this. Built in flashes usually suck, and nobody would use them for any sort of serious photography, except for fill. So if you're going out on a shoot, you would of course carry along some quality flashes and the built-in would be a waste of space.
A really geeky idea: A fedora (common hat of the classic press photographer's uniform) or other hat with a built in remote controlled flash unit in it.
In the summer we did a road trip in the northwest, up to Calgary, through Banff in the summer and then to Oregon Country Fair. The photojournal is not yet ready, but I have prepared some of the panos. First, here is the Montana section, which means the Going to the Sun road through Glacier National Park. Truly one of the world's great roads, I'm afraid the panos don't do it justice.
I have been quite behind in processing my photo galleries and panoramics.
I have just now put up the gallery of panoramics from the Death Valley Wildflowers trip from March of 2005. Interesting scenery, and when you get close enough lots of fields of flowers. Of course, on most of them the flowers are so tiny that they are resolved well only when the panos are seen printed at full resolution, not when shrunk for a computer screen.
Earlier I posted about my panoramas of Australia. Now I have put up the large gallery of regular spect photos from the trip. We began with a short visit to Melbourne, then drove the Great Ocean Road , ending in Adelaide. From there we flew to Darwin in the top end to visit Kakadu National Park and Litchfield National Park.
When you take pictures on the road, you would love to have the latitude and longitude coordinates of each picture stored with it. Indeed, if combined with a digital compass clever software could even tell you what landmark was in the photograph. (ie. if standing on rim of Grand Canyon looking north, it's probably a picture of the canyon.)
Everybody is having a great time these days with the new and increasing satellite imagery found at Google Maps, finding their own houses and world landmarks.
I found a database built by a Keyhole user describing all the coordinates of the 788 Unesco World Heritage Sites. With a bit of perl magic I turned the Keyhole format into a series of web pages with links to Google satellite imagery.
I shoot with an SLR, and all lenses need a rear lens cap when not on the camera. Every SLR shooter knows the three-handed ritual. (Four handed if the Camera's not on a strap.) You take one lens off the camera. You pick another lens and remove the rear cap from it. Holding the old lens, new lens and rear cap and camera, you put the new lens on the camera, then put the rear cap on the old lens. (Or you put the cap on the old lens first, put it down and put the new lens on the camera.)